Mondays after 3pm. Tues, Thurs before 4:00pm. Fridays after 11am. Sat and Sun flexible.
Monday between 1 and 5 pm. Tuesday/Thursday between 2:30 and 7pm. Wednesday/Friday before 10am Weekends, flexible
Mondays/Fridays: after 3pm Tuesdays: after 5pm Wednesdays: after 1pm Thursdays: after 4pm Weekends: flexible
Monday: after 3pm. Tuesday: after 1pm. Wednesday: after 4 pm. Thursday: 1-5pm and after 6pm Friday: after 12pm Weekends: flexible
Monday: after 3pm excluding 6-7 Wednesday: after 3:30 Thursday: after 6... but not optimal Friday: between 10:30am-1pm and after 3pm Sat/Sun: pretty much free
i'm a bum, what can i say
Mondays and Fridays after 1:00 Tuesdays and Thursdays before noon and after six.
Monday: 2:15-7, after 9; Tuesday: after 11; Wednesday: 2:15-9, after 10; Thursday: 2:15-6; Friday: after 2:15; Weekend: varies, but generally flexible
Sources/Articles/Food for Thought
Some Background Info: http://metamedia.stanford.edu/traumwerk/index.php/Mythology%20and%20Crete (Added: Feb 15, 2006)
Site Report from 1921: http://metamedia.stanford.edu/traumwerk/index.php/Knossos%201921 (Added: Feb 15, 2006)
Wikepidea's "Knossos" Has Good external links: http://en.wikipedia.org/wiki/Knossos (Added: Feb 15, 2006)
Ideas for Organizing the Project
2. Speech
3. Wiki
Anything Particular that you guys want to Pursue?
The labyrinth: "path woven with lightless walls," as Ian said. What a perfect example of a structure organizing an experience!
But what effect is the architect trying to achieve? What is the purpose of building a labyrinth in a city? What is a labyrinth's function in society?
From what I know about labyrinths now (from walking in the giant pineapple labyrinth in Hawaii), it seems they isolate individuals forcing them to focus all of their attention internally. Often labyrinths are used as a type of meditation or contemplation of God in front of churches. It's a place where the external world is completely abstracted.
Why did Knossos have a labyrinth and who went through it?
-Margo
On the topics of the labyrinth and Vergil. In the 'Aeneid', book VI, there is a carving that Aeneas sees on a temple door (Ian mentioned this earlier today) which was done by Daedalus, the architect of the labyrinth--the one who escaped. It describes the story of the Minotaur, its conception, its imprisonment, and its use. (Again from the Dryden Translation.)
This a unique passage in the 'Aeneid' since it has the quality of a "point of view within point of view." Aeneas is viewing Daedalus' carving on Crete and the proceedings in the labyrinth. Here, the labyrinth is a place of imprisonment and sacrifice. (The seven Athenian youths were sent to Crete per year.) Another interesting point, as Ian mentioned, is that these carvings were done by the one man who managed to escape the labyrinth without help.
-Priyanka
(Interesting and unrelated side note: the fact that Ariadne saves Theseus from the Minotaur might have some implications in relation to the matriarchal nature of Minoan society, perhaps even religious practices)
I'm interested in bull jumping. Bull jumping is freaking cool.
Mysticism associated with sport, strange stuff but not as alien as one might think.
Bull jumping means launching your body through space.
It's incredibly surreal, mystical, whatever -- and also grounded in a fierce bloody reality.
And this might be a nice way to link to some of Margo's ideas about performance space and public space via the arena.
-Annie
I really like all the stuff that's been put up about the labyrinth. Maybe we could do a little brainstorming about the function of the bull, quasi-human or otherwise, in the dark areas (like the labyrinth) as opposed to the light or public spaces (like the arena).
What is competition and what is punishment in a place like Knossos, where the champions often get slaughtered?
Annie's Notes on Minoan Bull Jumping